“They reveal different things about my personality. VOH’s debut EP, VPOP, is set to release later this year, and will feature both ‘Away’ and ‘Amnesia’. For the song’s three-minute runtime, VOH beckons us to leave our inhibitions and just dance, and dance we do. As VOH sings of the anaesthetising effect of tempting love, the unapologetically vibrant music makes it clear that she’s always up for her next mistake if it means that she can get a kick out of it in the process. Importantly, these diverse elements do not clash and instead creates a smooth, flowing and thematically holistic track. You can hear this in the melodic bass lines and syncopated single-note guitar lines reminiscent of Prince, as well as the sparkly synths which colour the chorus. The mellow pop rock slow jam was announced as a new single during a live stream by the band on 1 July 2014, and was released to American contemporary hit radio as the third single from the album on 15 July 2014. The instrumentation loosely follows the wave of nu-disco popularised by artists like Dua Lipa and Doja Cat in recent years, but also draws from more classic funk devices prevalent in the 70s and 80s. 'Amnesia' is a song by Australian pop rock band 5 Seconds of Summer, taken from their self-titled debut album 5 Seconds of Summer (2014). VOH’s vocal delivery is slick and glides along the tight drum beat, but she also belts when needed, making for an impressive bridge.
“It grew into this big expression of the chaos that happens within us when we know we are making a mistake, but we keep making it because we are human.” In the chorus she sings, “I know this feeling’s fucked me up before, but it must be a case of amnesia / I know I should be showing you the door, instead of doing things that’ll please ya.”ĭetailing the song’s lyrical concept, Hull says: This is accentuated by a skilful use of rhyme which lands each line on a satisfying note. What strikes me first is her ability to craft memorable melodies which nestle in the song’s groove - you can’t help but sing along to the vocalise which follows every chorus. The best pop songs are unpretentious and punchy, and ‘Amnesia’ delivers on these fronts. Radio-ready music can often feel antiseptic and repetitive, but VOH takes a tried-and-tested formula and makes it her own. Something you can just groove to while walking or driving.” “We wanted to make a disco-esque bop that’s chill but also holds lots of energy. “We wrote it together during the 2020 lockdown by sending things back and forth over text,” Hull explains. The track was created with the help of Hull’s uncle, who goes by the alias ‘Tremolo Switch’. ‘Amnesia’ is a dazzling, upbeat disco-pop track which takes us back to a time when skies were clear and the sun would come out to shine. Though her new release is closer to what we are accustomed to on the music charts, it is by no means a lesser song. Speaking to SURG, Hull outlines her artistic mission statement: “What I want to bring through my music is lots of caring, but also carefree, cathartic expressions that don’t overlook the lows of life, but channel them into a raw, honest voice.” Far from a mere gimmick, you can hear the confluence of ear-friendly melodies and subversive stylistic choices, which gives her music a characteristic sound. With her sparkling second single, it’s clear that whatever that quality may be, Violet Hull (aka ‘VOH’) has got it.īased in Sydney, the artist’s debut single, ‘Away’, introduced its listeners to her distinctive take on the alt-pop genre, which she has dubbed “World Pop”. I think these niggas got amnesia I t did not believe me I think these niggas got amnesia Ether. As much as we can attempt to verbalise their talent with colourful descriptions, there’s an ineffable charm which arrests our attention. When describing distinguished artists and performers, people often talk of the mysterious “X–factor”. The single had positive reviews from the press, Adriano Moreno of the 40 Principales Espaa considers it the best song on the album and expressed Amnesia is a.
Released on 19 January 1998, the song was met with favorable reception from critics, who regarded the. The song's lyrics address the sense of betrayal that English leftists felt during the rise of New Labour.
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